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Additional products
Print on canvas
starting at CA$ 78
Giclée Print Standard frame sizes
starting at CA$ 46
Mounting on aluminium
starting at CA$ 73
Framed Giclée Print 16.5 " x 12.5 "
CA$ 160
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Hommage a Picasso
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The Gold of the Azure, 1967
22.9 x 27.4 cm
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Inverted
22.9 x 35 cm
starting at CA$ 52
Abstract, c.1935
22.9 x 30.5 cm
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Description
"The Harlequin's Carnival" by Joan Miró is a colorful and playful representation of the famous character from the Commedia dell'arte. The painting features bold, abstract shapes and bright colors that convey a sense of joy and revelry. The lively depiction of Harlequin and the other figures, along with the carnival setting, evoke a sense of merriment and celebration. Miró's use of loose brushwork and abstract forms give the painting a spontaneous and dynamic quality. See more
This work showcases Miró's unique style and his ability to convey emotions and energy through his use of color and form. "The Harlequin's Carnival" is a lively and playful celebration of life that captures the spirit of the carnival.
About Joan Miró
Joan Miró was one of the most influential artists of the 20th century. Although he is often identified as a surrealist, Miró was a restless creator who allowed himself to be impregnated by various pictorial movements such as Fauvism, Cubism, naive art and abstraction.
However, the Catalan artist managed to create his own style while reinventing himself whenever he deemed it necessary. See more
Miró left Spain at the beginning of the Civil War and settled in Paris. During these years he designed posters for the Republican Army and participated in the Spanish Republic Pavilion at the 1937 Universal Exhibition in Paris. The dark and dramatic influence of the war was felt in his work during this period.
He returned to Spain when Paris was occupied by Hitler's troops in 1940 and, after living in several places, finally settled in Palma de Mallorca. After returning to Spain, he became a point of reference for young artists and began to gain international recognition and fame. Around this time, Miró began to extend his work to other fields such as ceramics and sculpture.
The first retrospective of Miró in Spain was not held until 1968, in Barcelona. In his desire to bring his work closer to the public, he also worked as a printer and engraver. From the late 1960s and early 1970s he devoted himself almost exclusively to sculpture.
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