This work by Edward Hopper is both very familiar and foreign. As you look at the work, you may say to yourself that this is not my beautiful house, my big car, or my beautiful wife (who, I assume, lives in the interior corridors of the houses depicted). Yet the painting draws you in and compels you to stay with it. In its bold use of economy, it opens up the possibility of a greater narrative. See more
Hopper has removed all unnecessary elements from the scene, and shared just enough with the viewer to create the beautiful feeling of a shared common experience.
Edward Hopper is one of the major figures of the American realist movement, with paintings such as House by the Railroad (1925) and Nighthawks (1942).
Born in 1882 in New York State, Edward Hopper entered the prestigious New York School of Art after his secondary education. He moved to New York in 1908 where he was hired as an illustrator for advertising campaigns. He soon tired of the job and exhibited paintings in his spare time. See more
Around 1915, he painted scenes of American life and in 1920, he presented his first exhibition at the Whitney Studio Club, which was a great success. In 1924 he married Josephine Verstille Nivison.
His particular style, made of simple forms and rather dark colours, plays on the contrasts between light and shadow. Hopper managed to diversify his realistic approach, with staged landscapes, sometimes urban and sometimes rural. The characters he paints often inspire an impression of solitude and exclusion. Most of his oil paintings reflect a country in the throes of economic and social change. In 1945, Edward Hopper was admitted to the American Academy of Arts and Letters. He received numerous awards and honours, including the title of Doctor of Fine Arts from the Art Institute of Chicago in 1955.