Provides a "painted & authentic" style to images printed on canvas and mounted on real solid wood frames cut to measurement.
Our canvas is professionally hand-stretched and layered with protective ink for a superior museum-grade finish.
Added to your wishlist
Adding to your wishlist in progress
Aluminum mounting added to your wishlist
Share this work
Share with your printing options
Link to be shared
Add to my wishlist
Additional products
Giclée Print
starting at $ 33
Giclée Print Standard frame sizes
starting at $ 29
Mounting on aluminium
starting at $ 56
Framed Giclée Print 13.5 " x 16.5 "
$ 108
More works by da Vinci
La Scapigliata
22.9 x 34.4 cm
starting at $ 51
Details of The Angel, The Virg...
30.5 x 24.5 cm
starting at $ 51
The Last Supper
40.7 x 20.4 cm
starting at $ 53
Mona Lisa
30.5 x 45.5 cm
starting at $ 65
Vitruvian Man
30.5 x 42 cm
starting at $ 63
Salvator Mundi - Savior of the...
30.5 x 44.9 cm
starting at $ 65
Arno Landscape, 1473
30.5 x 21.4 cm
starting at $ 48
Description
The so-called Burlington House Cartoon, a depiction of St Anne, the Virgin, the Child and St John the Baptist, is a drawing by the Italian Renaissance painter Leonardo da Vinci.
It is a life-size cartoon combining two popular themes of 15th-century Florentine painting: the Virgin (Mary) and Child with St John the Baptist, son of Mary's relative Elizabeth, and the Virgin and Child with St Anne, Mary's mother. See more
The three generations of Christ's family are represented in this way: St Anne holds her daughter Mary on her lap and the latter distracts the Child who turns to St John. There is a subtle interplay between the gazes of the four figures, with St Anne smiling at her daughter Mary, while Mary's eyes are fixed on her son, whom St John is also looking at.
Saint Anne gives the Virgin a strange, emotional look, as if she already imagines the suffering that Mary will have to endure during the Passion of Christ. The delineation of the four bodies is unclear; the heads of the two women, in particular, seem to emerge from the same body. Leonardo has endeavoured to reproduce a polycentric sense of movement, so that the two figures merge into a single complex, in which the head of St Anne stands out. The Virgin Mary's expression is extraordinarily tender, but at the same time her face is majestically beautiful, otherworldly, suggesting a deep maternal devotion.