Two principles are opposed here in this realization of Joan Miró: the meditative character of contemplation and the tumult of human passions.
On the uniform blue background, a motif of twelve round shapes occupies the central part of the composition. The large red scar, which crosses the space from top to bottom like a stab wound, disrupts the regular rhythm of its progression, unless it was the starting point. See more
These black pebbles are reminiscent of the rocks that make up the Zen gardens of Japan, apparently at random.
Joan Miró, after a period of unproductive acclimatization, produced these three Blue paintings, immersive paintings, if you will, of monumental dimensions, which reflect both his admiration for Abstract Expressionism, discovered in the United States in 1947, and his interest in oriental calligraphy.