Elegance, extreme lightness and natural brilliance of colours in every detail.
Combining modernity and lightness, aluminium lamination offers a demanding clientele high resolution with brilliant and natural colours that highlight every detail of the work.
With its robust and waterproof surface, it is also suitable for wet rooms such as kitchens, bathrooms and outdoor rooms.
Added to your wishlist
Adding to your wishlist in progress
Aluminum mounting added to your wishlist
Share this work
Share with your printing options
Link to be shared
Add to my wishlist
Additional products
Canvas Print
starting at $ 66
Fine Art Print
starting at $ 23
Fine Art Print Standard frame sizes
starting at $ 23
Framed Giclée Print 13.5 " x 10 "
$ 65
More works by Paul Gauguin
Vision After the Sermon
22.9 x 18.1 cm
starting at $ 47
When Will You Marry?
15.3 x 20.3 cm
starting at $ 46
Where Do We Come From? What Ar...
40.7 x 15.3 cm
starting at $ 54
Two Tahitian Women
15.3 x 19.9 cm
starting at $ 46
Still Life with Three Puppies
15.3 x 21.8 cm
starting at $ 46
Spirit of the Dead Watching (M...
22.9 x 18.1 cm
starting at $ 47
Tahitian Landscape
30.5 x 22.3 cm
starting at $ 54
Description
Paul Gauguin's painting "Decapitated Head," created during his first stay in Polynesia in the 1890s, depicts a decapitated human head within a lavishly decorated interior, surrounded by mourning figures in the background. The Tahitian words "Arii" (noble) and "Matamoe" (sleeping eyes, signifying death) are added in the upper left of the canvas.
Gauguin was influenced by real events, such as the death of Tahitian King Pomare V and his witnessing of a public execution by guillotine. See more
However, the image does not correspond to the actual funeral of Pomare V, as his body was not decapitated. Gauguin had a tendency to blend reality and fantasy in his artistic work.
The vibrant and dark colors in the painting create a tropical and exotic atmosphere, reinforcing the notion of "primitivism" in Gauguin's art. In his illustrated book "Noa Noa," Gauguin linked this painting to the loss of indigenous culture due to European colonization.
While symbolist artists like Gauguin explored morbid themes such as decapitated heads, this work also reflects Gauguin's fascination with the duality between the East and West, as well as his sense of being a martyr of modern society, seeking refuge in a culture he perceived as "primitive."