Elegance, extreme lightness and natural brilliance of colours in every detail.
Combining modernity and lightness, aluminium lamination offers a demanding clientele high resolution with brilliant and natural colours that highlight every detail of the work.
With its robust and waterproof surface, it is also suitable for wet rooms such as kitchens, bathrooms and outdoor rooms.
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Print on canvas
starting at $ 66
starting at $ 27
Giclée Print Standard frame sizes
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Framed Giclée Print 9.5 " x 11 "
This sketch created by Pablo Picasso has gained popularity among connoisseurs of his work. In the foreground, Don Quixote stands upright on his horse, armed with his spear and holding his shield high. The lean and dynamic figure here reflects the impatient and impetuous character of the valiant man.
His friend Sancho Panza on a donkey, the sun and four windmills. He works with great confidence and courage, his lines are like black scribbles on a sheet of paper completely white. See more
The image is in black and white, the ink on the paper speaks of the artist's restless energy, his total freedom, his inner energy. The black lines on the white paper surprise by their bold tone, simple and clear, made of bold and clear lines. Don Quixote and the windmill between him and his friend are done with bolder lines, emphasizing the importance of the figure.
About Pablo Ruiz Picasso
Born on 25 October 1881 in Malaga (Andalusia), Pablo Ruiz began drawing at a very young age with his father, a drawing teacher. In 1895, he studied at the School of Fine Arts in Barcelona, La Lonja, before continuing at the Royal Academy San Fernando in Madrid. Returning to Barcelona from 1899, he worked in particular as an illustrator for magazines and newspapers and regularly attended the Cabaret els quatre gats. See more
In 1901, he adopted his mother's name as his signature: "Picasso". He will now sign his works in this way.
From 1904, he settled permanently in France after three stays in previous years. He first moved in with his first wife Fernande Olivier to the famous Montmartre workshop, the Bateau-Lavoir. He met in the capital among many others.
Picasso appears as the main representative of cubism with Georges Braque. This movement raises a controversy by developing a new way of painting, by breaking down forms and multiplying the points of view that appear simultaneously on the same work. Indeed, if artists like Albert Gleizes and Jean Metzinger developed a real theory of cubism, Picasso and Braque remained attached to technical novelty rather than theory... Following Cézanne's precubism, the years 1908 to 1912 corresponded to the "Analytical Cubism" of which Picasso would say "it was simply an art that was concerned with form". It seeks to break the traditional perspective.
Feeling the inexorable passage of time in his last years, he creates with an inextinguishable passion and fervour a powerful erotic series about couples. For Pablo Picasso, "It is in the work of a lifetime that the real seduction lies".