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The dream - PABLO PICASSO, Fine Art
The dream - PABLO PICASSO, Fine Art
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The dream - PABLO PICASSO

The dream - PABLO PICASSO from Fine Art, Prodi Art, woman, rosy complexion, necklace, sleep, dream, PABLO PICASSO, oil painting, painting, drawing, abstract
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The dream - PABLO PICASSO from Fine Art Decor Image The dream - PABLO PICASSO from Fine Art Zoom Alu Dibond Image
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Description
The Dream is a work by Pablo Picasso dating from 1932. It is an oil on canvas portrait of Marie-Thérèse Walter, his young companion at the time, sitting in an armchair but actually representing an intense and colorful eroticism, we feel that she is completely abandoned to her dreams. She is pink and purple and wears a necklace of yellow and red beads. Her head is leaning back, with two different profiles.
She gives the impression of being asleep and we feel her serene, melodious, radiant, fulfilled. She is dreamy, pensive.
This work belongs to Picasso's period of distorted representations, with its oversimplified contours and contrasting colors that resemble the beginnings of Fauvism.
About Henri Rousseau
Born on 25 October 1881 in Malaga (Andalusia), Pablo Ruiz began drawing at a very young age with his father, a drawing teacher. In 1895, he studied at the School of Fine Arts in Barcelona, La Lonja, before continuing at the Royal Academy San Fernando in Madrid. Returning to Barcelona from 1899, he worked in particular as an illustrator for magazines and newspapers and regularly attended the Cabaret els quatre gats.
In 1901, he adopted his mother's name as his signature: "Picasso". He will now sign his works in this way.
From 1904, he settled permanently in France after three stays in previous years. He first moved in with his first wife Fernande Olivier to the famous Montmartre workshop, the Bateau-Lavoir. He met in the capital among many others.

Cubism

Picasso appears as the main representative of cubism with Georges Braque. This movement raises a controversy by developing a new way of painting, by breaking down forms and multiplying the points of view that appear simultaneously on the same work. Indeed, if artists like Albert Gleizes and Jean Metzinger developed a real theory of cubism, Picasso and Braque remained attached to technical novelty rather than theory... Following Cézanne's precubism, the years 1908 to 1912 corresponded to the "Analytical Cubism" of which Picasso would say "it was simply an art that was concerned with form". It seeks to break the traditional perspective.

Feeling the inexorable passage of time in his last years, he creates with an inextinguishable passion and fervour a powerful erotic series about couples. For Pablo Picasso, "It is in the work of a lifetime that the real seduction lies".
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