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Framed Giclée Print 9.5 " x 10.5 "
Van Gogh's Bouquet of Flowers in a Vase is a painting whose place in Vincent Van Gogh's oeuvre has remained a mystery to many scholars.
Van Gogh's work is the same painting. The Bouquet of Flowers in a Vase is little mentioned in primary sources and differs from his many other still lifes because
the techniques used in this painting are more often used in Van Gogh's work.
techniques used in this painting are more often used in Van Gogh's landscapes. See more
As a result, the date of this work has been the subject of controversy. This thesis aims to locate the date of this painting in Van Gogh's oeuvre using methods such as intensive formal analysis, biography, history and literature.
This still life is not mentioned in Van Gogh's letters and has left scholars puzzled as to its place in his artistic output. The subject has some kinship with the mixed bouquets of summer flowers he painted in Paris, the quasi-abstract floral motif in the wallpaper of Berceuse d'Arles (1996.435), and the white porcelain vase in Iris de Saint-Rémy (58.187). However, the palette and style of this painting, particularly its distinctive blues and ochres and graphic brick-like hatching, firmly link it to the landscapes painted just before his death in Auvers on July 29, 1890.
Van Gogh liked to paint flowers that were readily available to him, when he could not afford to buy models or could not paint en plein air.
Specific flowers, such as
sunflowers, roses and lilies, appear frequently in his work and are intimately associated with his work.
About Vincent Van Gogh
On 30 March 1853, Vincent Van Gogh was born in Groot Zundert in North Brabant. From childhood, he showed a moody and restless temperament that, throughout his life, thwarted his plans. Son of a Protestant pastor, he first chose to turn his life towards Protestantism, becoming in turn a preacher in London, a student of theology and an evangelizer among the mining populations of the Borinage. See more
Listening to the latter, he practiced painting, leaving us the first traces of a dark work, marked by the misery of these miners, but to which Van Gogh attached a fervour and an exacerbated exaltation.
In 1886, he moved to Paris and lived with his brother Theo who ran a small gallery of paintings. He quickly got to know the young painters who animated the most innovative artistic movements. Influenced by the work of the Impressionists and Japanese artists, Van Gogh's style began to evolve. The colours became lighter, the brush strokes became more refined by following the shape of the object represented. As early as 1888, he adopted clear and brilliant shades, present in the paintings of his French friends, and left Paris for the south of France.
Under the sun of Provence, he painted landscapes and southern life scenes. The artist, based in Arles, began to use curved, whirling touches and pure colours: yellow, green and blue in particular. This technique, so specific to Van Gogh's work, appears in the famous paintings representing his bedroom (1888) and the Starry Night (1889). Any visible phenomenon, painted or drawn by Van Gogh, seems to have physical and spiritual vitality. In his enthusiasm, he persuaded Paul Gauguin, whom he had met in Paris, to join him.